Above: A sad attempt at paying homage to a truly great painting :)
Also my first oil pastel painting. I became obsessed with Breugel's canvas following gnothi seauton's lead, and Auden's poem inspired by the scene forms the perfect verbal accompaniment to the visual.
Did I mention I LOVE oil pastels? :) Such a beautiful, tactile medium. Feels like smearing paint directly onto the surface. More to come soon...hopefully :)
Musee des Beaux Arts
- W.H. Auden
About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.
3 comments:
bloody brilliant :)
why not do the whole thing in reverse? take up a poem you like and try conveying that on canvas?
start with sara teasdale and you'd have a convergence of obsessions :)
nice suggestion...also try drawing "solitary reaper"? ;-) (one of the few poems i can remember out of school, apologies for poem-ignorance)
gnothi seauton: bloody brilliant idea that :)
bharani: ah, the reaper...good suggestion :)
Post a Comment